For me, there is no challenge to understanding why a story falls apart; the mystery is to understand how a story moves beyond competence (in itself, easy to explain by technical terms) into the mysterious realms of truth and beauty that mean so much to the individual reader.
Anyone can learn to write with an acceptable degree of clarity, as long as that person understands the value of clarity. A few other people can learn the tricks of construction, pacing, euphony, tonal consistency, economy of means, all of the methods that bring fire to clarity, that make a story worth reading to the final page. Again, these techniques can be recognized, studied, and learned, but only if a writer wants to learn. Many, it seems, have no desire to gain this competence.
Beyond competence lies the realm of personal resonance, and writers have no control over their choice of readers. Even the best writers and the most attentive, thoughtful readers can fail to connect, because they simply do not share the same emotional tonality, because their sensibilities are not quite aligned, because they have lived utterly different lives with different experiences.
Given the troubled circumstances, what can competent writers do?
They can study themselves, know themselves. They can remain faithful to their memories, their moods, their tastes, obsessions, and outlooks. They can speak to themselves while writing as clearly and as engagingly as they can for strangers. They can pull up dreams and threads of their lives, while adding a narrative context that might help readers to see and think and feel in similar ways.
The odds are against them. Sometimes very good writers can fail to gain readers, and this might sour their efforts; it might even compel them to stop writing. But even as they strive and fail, writers can meet the challenge of being themselves. If there is any reward at all to writing, it might be this.
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