Saturday, September 30, 2023

TEOREMA, 1968, written and directed by Pier Paolo Pasolini

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PIETRO:

Nobody must realize that the artist is worthless, that he's an abnormal, inferior being, who squirms and twists like a worm to survive. Nobody must ever catch him out as naive. Everything must be presented as perfect, based on unknown, unquestionable rules.

Like a madman, that's it. Pane after pane, because I can't correct anything, and nobody must notice. A sign painted on a pane corrects, without soiling it, a sign painted earlier on another pane. But everyone must believe that it isn't the trick of an untalented artist, impotent artist. Not at all. It must look like a sure decision, fearless, lofty and almost arrogant. Nobody must know that a sign succeeds by chance, is fragile, that as soon as a sign appears well made, by a miracle, it must be protected, looked after, as in a shrine. But nobody must realize that the artist is a poor, trembling idiot, second-rate, living by chance and risk, in disgrace like a child, his life reduced to absurd melancholy, degraded by the feeling of something lost forever.

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